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Psyched on Paris
Date: SUNDAY, April 5, 1998
Page: M1
Section: Travel
That we would live in France We'd go boating on the Seine And I would learn to dance.'' Judy Collins, from ``My Father''
This would be the first visit to the city of dreams for my daughter and her friend, both 16. Just a weekend, the barest introduction. The teenagers, I'll call them N. and M., were psyched, each with her own list of must-sees. The girls stumble off the plane, groggy from only a few hours of sleep and an early-morning flight from Barcelona. Janet Jackson bounces through their earphones, and that ever-present edge of teenage truculence shows in their sleepy faces. The taxi cruises into the city, the morning streets quiet and decorous. Even before we stop at our hotel, the girls are entranced with the shop windows along the way, that Parisian jumble of elegant pastries, sumptuous cheeses, and glimpses of chic clothing producing shoppers' squeals. We leave our suitcases, and I grab a giveaway map, one that marks all the McDonald's restaurants in the city (many, many of them). It turns out to be the most legible of several maps we use (although we shun the burgers). We set out immediately on foot. Paris is waiting. The Eiffel Tower looms over the 7th arrondissement; we thread through the Left Bank streets by following the black, lacy outline against the sky, the girls racing ahead like children to stand in line for the elevator trip to the top. The tower, erected between 1885 and 1887, has become a symbol of Paris, certainly for young Americans who associate it with movies and the love of anything really tall. I read the statistics and history from the Michelin guide as they wait in line -- 7,000 tons, 1,051 feet high, made of pig iron, and fastened with 2 1/2 million rivets. From close up, the tower is brown, not chic black, and one can understand the opposition of literary Paris, who thought it garish, at the time it was built. N and M could care less, and blithely ride up while I peruse maps and guidebooks, plotting our Parisian campaign.
Although the museum is packed with treasures, the layout is confusing. Still, we track down the Monets my daughter loves from a book she read as an 8-year-old and the Degas dancers that her friend identifies with. The requisite prints and books are bought to carry home to seal the memories. Then we head into the Boulevard St. Germain as M excitedly relates her English teacher's comments about Hemingway and Sartre at Cafe les Deux-Magots and Cafe de Flore. Glittering boutiques line the area -- Prada, Kenzo, Chanel -- much more upscale a scene than I remember from my last visit to Paris more than a dozen years ago. The opulence deflates the romantic mood -- it's hard to envision bohemian artists and writers amid sky-high prices and expensively-dressed tourists at the two cafes. We head back to our hotel, weary from all the walking and gawking. Then we turn the corner and suddenly the Eiffel Tower is silhouetted against a pink sky. Perfect -- the romance of Paris is rescued.
The Louvre's organization and maps are impressive, and so is its size. Although the girls had to be coaxed out of bed at a rather late hour that morning, youthful resilience wins out here. We see room after room of European paintings, culminating with the ``Mona Lisa'' (``I thought it would be much bigger,'' N and M both say). They have energy for more, racing off in one direction to search out an El Greco, cruising down another hall to find ``Winged Victory,'' gaping at the gilded ceilings and crowded hallways. It's only a first foray, but more than I've ever seen of the Louvre's fabled treasures. Shopping -- the other marathon event my daughter and her friend excel at -- takes up the remainder of the day. Paris invented department stores, I tell the girls as we head to the first, Au Bon Marche, opened in 1852 on Rue de Sevres. It's hardly the size of the Louvre, but it's huge nonetheless, and bits of history, such as the grand ironwork stairway partly hidden behind a partition, show through. Again, the teenagers outpace me, finding a dress, a blouse, a great pair of jeans to coo over every foot or so. Prices, though, are intimidating, and by day's end over coffee and chocolate, N decides that a charming set of drawings she saw in a little shop down from Boulevard St. Germain is exactly right for a Parisian memento. By now, it's 6:20 p.m., and the stores close at 7. Without even an address to go by, only the memory of where the shop was, we hustle through the twilight. The Bermuda Triangle of streets in the Church of St. Suplice neighborhood defeats us, and I finally ask a woman for help in my thoroughly fractured French. Although I barely understand her replies, she displays that French paradox -- at first aloof but amazingly helpful if appealed to -- and points and gestures us forward. We miss the shop hours after all, and are reduced to pressing noses against glass and copying names and phone numbers. N, her nascent collector's lust aroused, is crestfallen but puts her hopes in a phone call from the States -- or maybe a return trip.
The rest of Paris is a blur of walking through recurring raindrops and chill, peering up at the imposing grayness of the Conciergerie where Marie-Antoinette and other prisoners of the Revolution were imprisoned, searching out an all-butter bakery, catching glimpses of palaces and towers. Finally, I shepherd our foot-weary trio over to see the Centre Pompidou. ``What is it,'' they ask in unison, puzzling over the red building with blue exposed pipes and grillwork. I explain it's a modern art museum (closed for renovation) and the controversy about it. ``Ugh,'' says M, who prefers her buildings Gothic. ``I like it,'' declares my lover of the avant. Then they spy a Sunday flea market on an adjacent street and are off, puzzling over the franc prices of used jeans.
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